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Departures - Arrives

 The poetry of Elena Saviano has overbearing agency one diffuse femminilità and.

I would dare to say that its is one pa­rola that comes viscere of the world. It is indeed logos and II logos it is ge­neratore of the world.

Therefore it has reason Dacia Ma­raini, also sicialian she, when af­ferma that "the roots have a gran­de meant for the artist that is the only true citizen of the world", when it supports insomma that og­gi the women, with the poetry, often know to us to make high of the men. Di­penderà also from the fact that the poes­ia feminine has been always considered adorning. Today it is instead, when it has succeeded like in the houses of the backs of Elena Saviano, one tra­sparenza.

In a impoetico world therefore, to be poets and not simple facitori of backs, is difficult, hardest, but winning.

Proceeding in this direzio­ne indelebili poetries are written, are taken part directly on the alive body of the poetry. They are annotated, indeed they are affected, backs the stone of poetare.

It does not seem conflicting if to I add that Elena Savane, has a writing course it turns them and that is approached, is indeed contiguous, two large watertight ones: Giuseppe Ungaretti and the sicialian Salvatore Quasimodo.

The rhythm of our poet n to has a jazzistico rhythm. A sincopato rhythm as unfortunately it is the daily life, made exactly of Partenze-Arrivi.

But our facitrice of backs not mima  the daily paper like ago; unfortunately the poetry puts into effect them, but it interiorizes it and it transforms it in fascinating and pungente word for the reader.

In Departures - Arrives "but also, in" Emerald green Transparencies "(the previous book) we find again the feminine poetry from Victoria Column. Spaziani Maria, from Ada Black persons to Vivian Lamrque, milled and personalized with one sciano power chele absolutely the sign in the reader.

This "Departures - Arrives" plays minibadly on the contrast of the living but also on the aulic language, of which our poetry is infarcita all, and on a more modern language and that it is the language of our age.

            The word of Elena Saviano is the true every Derive-Landing place of authentic poet who listens to its intimate one without forget this. It cannot absolutely make some less, the outside, if he is sincere poet.

            It is the contrast between sublime daily paper and of which the poet cargo in order to render the daily paper is made a bit  sublime a bit daily.

Of the rhythm gia I have said, even if I would want to add that Elena Saviano above all in "Emerald green Transparencies ", but also in "Departures - Arrives", has the evocation of the sicilian cries. And of the rest Emerald green Transparencies declaration of love for its earth is one, to times much intense one to ingender a sense of painful anxiety in the reader.

The always been roots are of the rest and always it they will be the base of the ade and the poetry in particular.

A short one I point out to the minimali­mo of Elena Saviano that American sends back to the last poetry. Task in particolar way To fall, also in such case the sicialian poet with a feminine touch ri­a to make of a fragment of the world the totality of the world.

Two last annotations: before dedicated to the "Haiku", that they are illuminant aphorisms, like dovreb­bero to be the haiku composed from - Japanese and a second one é not reported to the "personal poetry and poetry of occasione' that it has in ul­tima the Roman School (Dacia Maraini, Patrizia Cavalli, Anna Cascella, Amelia Rosselli, Dario Bellezza , Renzo Paris, Antonio Veneziani) its greater representatives. The return to a daily poetry that tries to celebrate the simple things, than test to give again to the things of to live, to the strong feelings, without sno­bismi and  emphasis they bring back   the poetic word to its origins and the "iconizzano".

With Elena Saviano we are insomma of forehead to a poet who has many companions of road but that it is one solitary able to make to speak Hush.

                                                                                                                 Noa Bonetti

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